Filmmaker clarifies Netflix film is fictional and not linked to any caste or community; NHRC issues notice over alleged negative stereotypingMumbai: The Supreme Court has directed filmmaker Neeraj Pandey to file an affidavit stating that his upcoming Netflix film ‘Ghooskhor Pandat’ does not denigrate or target any section of society, following a controversy over the film’s title. The direction comes amid backlash from sections of social media users who termed the title insensitive and offensive.
The controversy erupted earlier this week after the film’s announcement, with critics alleging that the title promotes negative stereotypes against a recognised social group. Subsequently, the National Human Rights Commission issued a notice to the Ministry of Information and Broadcasting over a complaint claiming the title “promotes negative stereotypes” and “vilifies a recognised social group”.
Filmmaker Issues Clarification
In a statement shared on his official social media handles, Neeraj Pandey clarified that the film is entirely fictional and bears no connection to any caste, religion or community.
“The story focuses on an individual’s actions and choices and does not comment on or represent any caste, religion, or community. As a filmmaker, I approach my work with a deep sense of responsibility, to tell stories that are thoughtful and respectful,” Pandey stated.
He further said that the term “Pandat” in the title is used as a colloquial name for a fictional character in a cop drama and does not refer to any existing social group. Acknowledging that the title has hurt a section of the audience, Pandey added that all promotional materials of the film would be temporarily taken down.
Legal and Institutional Scrutiny
The Supreme Court’s direction for an affidavit underscores the seriousness of the matter, as debates around artistic freedom and social sensitivity intensify. The NHRC’s notice to the Information and Broadcasting Ministry has also brought institutional attention to the issue.
The film, co-written and produced by Pandey, is described as a fictional police drama centred on corruption and personal morality.
On the Other hand, supporters of the filmmaker have argued that creative works should not be prematurely judged without viewing the complete context, echoing the importance of artistic expression within constitutional limits.
